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# Michael Devine: International Theatre Artist • Director • Scholar • Methodological Innovator

## Sitemaps
[XML Sitemap](https://www.michaeldevine.org/sitemap_index.xml): Includes all crawlable and indexable pages.

## Posts
- [NF Drama–Conclusion](https://www.michaeldevine.org/nf-drama-conclusion/)
- [NF Drama–Chapter 5](https://www.michaeldevine.org/nf-drama-chapter-5/)
- [NF Drama–Chapter 4](https://www.michaeldevine.org/nf-drama-chapter-4/)
- [NF Drama–Chapter 3](https://www.michaeldevine.org/nf-drama-chapter-3/)
- [NF Drama–Chapter 2](https://www.michaeldevine.org/nf-drama-chapter-2/)
- [NF Drama–Chapter 1](https://www.michaeldevine.org/nf-drama-chapter-1/)
- [The BoxWhatBox Book](https://www.michaeldevine.org/the-boxwhatbox-book/)
- [Playing Outside the Lines](https://www.michaeldevine.org/playing-outside-the-lines/)
- [The Ripper](https://www.michaeldevine.org/the-ripper/)
- [Punch and Judy Murder Love](https://www.michaeldevine.org/punch-and-judy-murder-love/)
- [North of Reason](https://www.michaeldevine.org/north-of-reason/)
- [East O’ The Sun and West O’ The Moon Script](https://www.michaeldevine.org/east-o-the-sun-and-west-o-the-moon-script/)
- [Eurydika 2017 Journal](https://www.michaeldevine.org/eurydika-2017-journal/)
- [Interculturality in Creative Expression](https://www.michaeldevine.org/interculturality-in-creative-expression-2/)
- [Unheard Lecture 1](https://www.michaeldevine.org/unheard-lecture-1/)
- [BWB–Voice and the Actor](https://www.michaeldevine.org/bwb-voice-and-the-actor/)
- [BWB–The Neutral State](https://www.michaeldevine.org/bwb-the-neutral-state/)
- [BWB–Printing and Triggering Emotion](https://www.michaeldevine.org/bwb-printing-and-triggering-emotion/)
- [BWB–Plasticity](https://www.michaeldevine.org/bwb-plasticity/)
- [Approaches To Acting–Stage Directions](https://www.michaeldevine.org/approaches-to-acting-stage-directions/)
- [Approaches To Acting–Punctuation](https://www.michaeldevine.org/approaches-to-acting-punctuation/)
- [Approaches to Acting–Loop](https://www.michaeldevine.org/approaches-to-acting-loop/)
- [Approaches to Acting–Ego & Indulgence](https://www.michaeldevine.org/approaches-to-acting-ego-indulgence/)
- [Approaches to Acting–Absence](https://www.michaeldevine.org/approaches-to-acting-absence/)
- [NF Drama–The Outsider](https://www.michaeldevine.org/nf-drama-the-outsider/)
- [CTR 135: HAWKS in Serbia](https://www.michaeldevine.org/ctr-135-hawks-in-serbia/)
- [CTR 128 Keileydography](https://www.michaeldevine.org/ctr-128-keileydography/)
- [I FORGET, I remember](https://www.michaeldevine.org/i-forget-i-remember/)
- [NF Drama–Place and Identity](https://www.michaeldevine.org/nf-drama-place-and-identity/)
- [BoxWhatBox–Finland Casebook](https://www.michaeldevine.org/boxwhatbox-finland-casebook/)
- [Returning to Roots: Pinter as Alternative Theatre Playwright](https://www.michaeldevine.org/returning-to-roots-pinter-as-alternative-theatre-playwright/)
- [Place and Identity in Newfoundland Drama](https://www.michaeldevine.org/place-and-identity-in-newfoundland-drama/)
- [Zagreb Keynote Address and Zagreb Keynote Photos](https://www.michaeldevine.org/zagreb-keynote-address-and-zagreb-keynote-photos/)
- [BWB–Evolution of a System of Acting](https://www.michaeldevine.org/bwb-evolution-of-a-system-of-acting/)
- [Performing Memory: Contested Identities in the Work of Wajdi Mouawad](https://www.michaeldevine.org/performing-memory-contested-identities-in-the-work-of-wajdi-mouawad/)
- [H of H Playbook Review](https://www.michaeldevine.org/h-of-h-playbook-review/)
- [Re-thinking Multiculturalism: A Theatrical Perspective](https://www.michaeldevine.org/re-thinking-multiculturalism-a-theatrical-perspective/)
- [Authorship and the Director-Spectator Dynamic](https://www.michaeldevine.org/authorship-and-the-director-spectator-dynamic/)
- [Aeneas in Kosova–Oradea](https://www.michaeldevine.org/aeneas-in-kosova-oradea/)

## Pages
- [Terms & Conditions](https://www.michaeldevine.org/terms-conditions/): Welcome to michaeldevine.org ("Website"), the personal portfolio of Michael Devine ("we," "us," or "our"). By accessing or using this Website, you agree to be bound by these Terms and Conditions.
- [Privacy Policy](https://www.michaeldevine.org/privacy-policy/): Welcome to michaeldevine.org ("Website"), the personal portfolio of Michael Devine ("we," "us," or "our"). Your privacy is important to us. This Privacy Policy explains how information is collected, used, and protected when you visit this Website.
- [Details Page](https://www.michaeldevine.org/details-page/): CATT Arezzo 2023 was conceived as an immersive training environment for advanced actors and theatre-makers committed to structured inquiry. Set within the historic and culturally rich landscape of Arezzo, the intensive created a focused studio context where methodology, ensemble practice, and intercultural dialogue could unfold without distraction.
- [Archive](https://www.michaeldevine.org/archive/): The archive traces the development of artistic practice and scholarly inquiry across international contexts. It brings together published research, original dramatic texts, book excerpts, and structured production documentation within a single, organized repository.
- [BoxWhatBox](https://www.michaeldevine.org/boxwhatbox/): BoxWhatBox (BWB) is a performance creation and actor-training methodology developed progressively since 2004. It is grounded in the principle of learning to unlearn — cultivating freedom through disciplined play, structural clarity, and creative precision.
- [CATT Page](https://www.michaeldevine.org/catt-page/): KONTAKT, FLIPT Festival, Italy 2021
- [Home](https://www.michaeldevine.org/): Michael Devine has directed more than 40 professional productions in 9 languages, at national and independent theatres in Canada, Serbia, Croatia, Kosovo, Romania, and Hungary. He has appeared as a featured guest artist at 17 international theatre festivals. As a playwright, Michael has created both text-based plays and BoxWhatBox-generated productions which have been produced in Canada, Hungary, Serbia, Romania, Ukraine, Finland, Kosova and elsewhere.

## Projects
- [Process-Driven Investigation](https://www.michaeldevine.org/project/process-driven-investigation/)
- [International Collaboration](https://www.michaeldevine.org/project/international-collaboration/)
- [Advanced Intercultural Performance Training Workshop](https://www.michaeldevine.org/project/advanced-intercultural-performance-training-workshop/)

## Trainings
- [CATT KOSOVA 2009](https://www.michaeldevine.org/training/catt-kosova-2009/)
- [CATT GALAXIDI 2010](https://www.michaeldevine.org/training/catt-galaxidi-2010/)
- [CATT ROMA 2013](https://www.michaeldevine.org/training/catt-roma-2013/)
- [CATT CASPERIA 2014](https://www.michaeldevine.org/training/catt-casperia-2014/)
- [ATHENS 2015](https://www.michaeldevine.org/training/athens-2015/)
- [CATT ROMA 2016](https://www.michaeldevine.org/training/catt-roma-2016/)
- [CATT DUBLIN 2017](https://www.michaeldevine.org/training/catt-dublin-2017/)
- [CATT AMSTERDAM 2018](https://www.michaeldevine.org/training/catt-amsterdam-2018/)
- [CATT VENEZIA 2019](https://www.michaeldevine.org/training/catt-venezia-2019/)
- [CATT FARA IN SABINA 2021](https://www.michaeldevine.org/training/catt-fara-in-sabina-2021/): Founder & Executive Director, CATT
- [CATT ARGOS 2022](https://www.michaeldevine.org/training/catt-argos-2022/): Founder & Executive Director, CATT
- [CATT AREZZO 2023](https://www.michaeldevine.org/training/catt-arezzo-2023/): CATT Arezzo 2023 was conceived as an immersive training environment for advanced actors and theatre-makers committed to structured inquiry. Set within the historic and culturally rich landscape of Arezzo, the intensive created a focused studio context where methodology, ensemble practice, and intercultural dialogue could unfold without distraction.